April 22, 2024
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4min

The Kailashwara Natyanjali festival in Sri Lanka recently witnessed a captivating performance by the exceptionally talented Ramya Shankaran, merging Bharatanatyam and Mohiniyattam in a display that left an indelible mark on attendees. Shankaran’s exhibition showcased not only her versatility but also her profound dedication to the art of classical dance, echoing the vibrancy of Indian classical dance traditions on an illustrious international platform.

 



 

Her performance seamlessly blended Bharatanatyam’s intricate tapestry with Mohiniyattam’s fluid elegance, demonstrating a deep-rooted understanding of both forms. Shankaran’s journey through Bharatanatyam intricately brought to life ancient stories through precise footwork, eloquent mudras, and expressive facial gestures, transcending the physical to touch the spiritually sublime.

Transitioning into Mohiniyattam, Shankaran portrayed the softer, more lyrical aspects of Indian classical dance, narrating tales of love and devotion with grace and beauty. Her performance in Mohiniyattam, characterized by graceful, swaying movements and emotive storytelling, reflected feminine elegance and captured the essence of ancient poetry.

What set Shankaran’s performance apart was her ability to weave together the rigorous technique of Bharatanatyam with the emotive storytelling of Mohiniyattam, creating a harmonious blend that highlighted her mastery over both forms. Her performance served as a dialogue between the dancer and her audience, transcending cultural barriers to convey universal themes of human emotion and spiritual quest.

The Kailashwara Natyanjali festival, renowned for its celebration of classical dance, found in Ramya Shankaran a performer who epitomizes the essence of these ancient art forms. Her performance was not merely an act of artistic expression but a vibrant testament to the rich legacy of Indian classical dance, inviting audiences to delve deeper into its enchanting world.

As the curtains fell on this year’s festival, Ramya Shankaran’s performance stood as a milestone in the celebration of classical dance on an international level. Her ability to bridge traditional art forms with contemporary sensibilities underscored the timeless appeal and relevance of Bharatanatyam and Mohiniyattam in the modern era.

Through her dance, Shankaran has ignited curiosity and admiration for Indian classical dance among global audiences, ensuring the legacy of these ancient art forms continues to thrive and inspire. Her performance at the Kailashwara Natyanjali festival serves as a beacon of cultural pride, showcasing the enduring beauty and depth of India’s classical dance heritage to the world.

 



 


April 19, 2024
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6min

The Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka) particularly focuses on educational initiatives for various target groups across the country. These include the general public, and schools and higher educational institutions in Sri Lanka.

 



 

Through its Schools and Higher Education Institutions Outreach Programme, the MMCA Sri Lanka engages with preschools, schools, and higher education institutions within its immediate radius of 10km, as well as those institutions that have an educational interest in arts and culture. Guided tours, activities, specially designed workshops, and additional support (such as guest lectures) related to assignments and curriculum design are offered to educational institutions that would like to incorporate the museum’s exhibitions, artworks, thematics and publications in their classrooms.

Sharmini Pereira, Chief Curator at the MMCA Sri Lanka noted that, “Our outreach activities are conceived to dispel the perception of a museum as a mausoleum of dead objects or an elite, inaccessible place of abstract ideas.” She added, “The many student populations of the country will in time, come to shape and form the future of Sri Lankan modern and contemporary art as policymakers, funders, academics, decision-makers and creative leaders. They sit at the centre of our future, which begins with the work we are doing today around outreach and learning.”

The MMCA Sri Lanka engages with educational institutions via two main ways. The first is an Outreach visit to an exhibition on view at the Museum. The Education and Curatorial teams at the Museum work together to ensure a visit that combines a learning experience including a guided tour, and upon request, an activity, assignment, or reflection/discussion session based on the institution’s preferences. The Museum’s exhibition spaces are designed in a versatile manner and they can be converted into classrooms and/or spaces to hold crit sessions.

As of April 2024, the MMCA Sri Lanka has curated and organised visits for approximately 3,200 students from preschools, local, international, and semi-government schools, and public and private higher education institutions.

Pramodha Weerasekera, Curator of Education and Public Programmes at the MMCA Sri Lanka said “The museum is designed for learning and educational experiences. We are excited to have students join us and contribute to the dialogue and discourse around our exhibitions and modern and contemporary art in Sri Lanka.” She also added, “One of our larger goals is to expand the Outreach programme further and think about how we can contribute to much-needed changes in the formal education sector as well.”

As the second method of engagement, staff members from the MMCA Sri Lanka visit educational institutions. During these visits, they speak about the museum, its efforts, Sri Lankan modern and contemporary art, and the thematics of a current exhibition on display. The Museum curates such visits based on the priorities of each educational institution and how they align with the Museum’s mission of display, research, collection, and conservation of Sri Lankan modern and contemporary art. As of April 2024, the museum’s staff has visited the Overseas School of Colombo, S. Thomas’ College Mount Lavinia, and the Department of English, University of Colombo.

Educational institutions (formal and informal) are encouraged to reach out to the MMCA Sri Lanka at education@mmca-srilanka.org to request an Outreach visit.

The MMCA Sri Lanka is an education-led initiative that aims to establish a public museum dedicated to the display, research, collection, and conservation of modern and contemporary art for the benefit and enjoyment of the general public, schools, and tourists. The museum is open daily from 10 am to 6 pm (except on Poya days and public holidays) on the ground floor of Crescat Boulevard, Colombo 3, and entrance to the museum and all its public programmes are free. Information about the museum and its exhibitions and public programmes can be found via its website www.mmca-srilanka.org, or on Facebook at facebook.com/mmcasrilanka and Instagram at instagram.com/mmcasrilanka/.

 



 


April 8, 2024
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4min

You are invited for the free and trilingual April 2024 public programmes by the Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka). These events have been specially curated to deeply engage the audiences with the pioneering work of Sri Lanka’s first woman architect Minnette De Silva (1918–1998), and the museum’s current exhibition ‘88 Acres: The Watapuluwa Housing Scheme by Minnette De Silva’.

 



 

You too can get to know De Silva and her Watapuluwa Housing Scheme better through a variety of formats including artist-led tours, exhibition tours in multiple languages, and a unique workshop that merges architecture with autobiographical writing.

The Exhibition Tours led by the Visitor Educators of the MMCA Sri Lanka will help you gain insight into ‘88 Acres’. These tours will be held in Tamil, English, and Sinhala at the following times:

  • Tamil: Saturday, 6 April, from 11 am–12 pm
  • English: Sunday, 7 April and Sunday, 21 April, from 11 am–12 pm
  • Sinhala: Saturday, 20 April, from 11 am–12 pm

On Saturday, 6 April from 3–5 pm Kanya D’Almeida will be leading participants 18 years and above, to remember their homes as an abstract and physical space of memories through autobiographical writing. This workshop is inspired by Minnette De Silva’s own writing on her projects and personal life.

The Artists’ Tour will be held on Saturday, 27th April from 3–5 pm, led by contemporary artists Irushi Tennekoon, Sumedha Kelegama, and Sumudu Athukorala, whose specially commissioned animated documentary ‘is this an architectural documentary?’ (2023) is on display in ‘88 Acres’. This artists’ film offers a contemporary perspective on De Silva’s Watapuluwa Housing Scheme 66 years after it was built, and this Tour promises to extend those insights to visitors in a direct and engaging manner.

All public programmes at the MMCA Sri Lanka are free, and prior registration on the Museum’s Eventbrite page is required. So come and soak up the art vibes! For more information and updates, please visit the MMCA Sri Lanka website at www.mmca-srilanka.org or follow them on Facebook (facebook.com/mmcasrilanka) and Instagram (instagram.com/mmcasrilanka).

 



 


March 19, 2024
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4min

The long-awaited ‘Sri Lankan Artists 2024’ exhibition organized by The George Keyt Foundation will make a resounding comeback after a six-year hiatus. The grand opening will take place on 22 March 2024 at the JDA Perera Gallery in Colombo and continue until 26 March.

The George Keyt Foundation’s ‘Sri Lankan Artists 2024’ exhibition not only celebrates the nation’s artistic brilliance but also serves as a platform for nurturing and promoting emerging artists. With future plans to collaborate with the government, the exhibition aims to facilitate international exposure for Sri Lankan artists through art fairs abroad.

 



 

A highlight of the exhibition will be the unveiling of the coveted ‘Artist of the Year’ award. A remarkable number of over 60 applications were received, from which 10 exceptional artists including Asela Abeywardene, Channa Ekanayake, Chaminda Gamage, Chahturika Jayani, Dillai Joseph, Sivasubramanium Kajendran, Prageeth Ratnayake, Mohammed Thajudeen Fathima Rukshana, Pradeep Thalawatta, and W Nayanananda Wijayakulathilaka  have been shortlisted to have their works prominently displayed at the exhibition.

The selection of the ‘Artist of the Year’ and the prestigious ‘Memorial Award,’ named after the Foundation’s founders Sita de Silva and Cedric de Silva, is entrusted to an independent panel of distinguished judges consisting of Palinda Kannangara, Architect, Anoma Wijewardene, Independent Artist and Orlando Edwards, Country Director British Council, Sri Lanka.

The initiative also demonstrates the Foundation’s dedication to celebrating the country’s rich cultural heritage. By providing a global platform, the Foundation seeks to elevate Sri Lankan artistic talents onto the world stage. The exhibition showcases the Foundation’s steadfast commitment to promoting the nation’s creative brilliance globally.

Gracing the event as the chief guest will be Hemantha Gunetilleke, Director and Chief Executive Officer of Nations Trust Bank PLC, the exhibition’s esteemed sponsor since its inception. The Bank, a corporate entity respected for its unwavering support in uplifting the arts in Sri Lanka, has been instrumental in ensuring the exhibition’s success.

All proceeds from the sale of artworks will directly benefit the participating artists, further emphasising the event’s commitment to fostering local talent.

Additionally, art enthusiasts and buyers will be afforded a unique opportunity to acquire desired pieces on March 22nd, before the exhibition opens to the public.

The George Keyt Foundation’s ‘Sri Lankan Artists 2024’ exhibition provides aficionados and patrons with an immersive experience showcasing the diverse and captivating expressions of Sri Lankan art.

 



 


March 15, 2024
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7min

Kala Pola 2024 – Sri Lanka’s Annual Open Air Art Fair – held on February 18th along Ananda Coomaraswamy Mawatha, Colombo 7 brought success for both artists and visitors alike, generating estimated sales of approximately Rs. 51 million, excluding commissioned artwork.

Commemorating its 31st year, Kala Pola is Sri Lanka’s largest and longest-running platform for artists and sculptors to showcase their talent and connect with buyers, industry professionals, and the artist community. A long-term collaboration of the George Keyt Foundation and John Keells Group, the event drew a tremendous response, attracting 368 artists and an estimated 38,000 visitors (including both footfall and vehicular presence in the event area).

 


 

The official ceremony was graced by His Excellency Santosh Jha, the Indian High Commissioner to Sri Lanka, as the chief guest along with Mr. Malaka Talwatte, Chairman of the George Keyt Foundation (GKF), accompanied by the trustees of GKF and Mr. Krishan Balendra, Chairperson of the John Keells Group, along with members of the senior management of the Group.

In his welcome address at the official ceremony, Malaka Talwatte, GKF’s Chairperson, said, “We have had a great turnout today. We strongly believe that art is for everyone and that every artist should have the opportunity to showcase their work. That is what Kala Pola is about. This platform has had phenomenal growth over the years, mainly because of the support of our Partner, the John Keells Group. They have been instrumental in scaling this up to what you see today. From 30 artists in 1993, today we have over 350 artists showing their work.”

In his address, H.E Santosh Jha noted, “This effort is significant because it is bringing art out of the galleries to the community. The fair format you have and its uncurated exhibition blends a naturalness and spontaneity, which should be characteristic of the art forms. Art is not just for indulgence, it’s much more. It can be a catalyst for social dialogue, a provocation for change, a challenge to the stereotype, and a canvas for new ideas.” He went on to commend GKF and the John Keells Group for their continued partnership which has driven the growth of Kala Pola.

Commenting on the event and the focus on arts and culture by the John Keells Group, Carmeline Jayasuriya, the Head of Corporate Social Responsibility, said “We are delighted with the success of Kala Pola 2024. While we have undertaken many diverse initiatives under the Arts & Culture pillar, Kala Pola remains a unique and fundamental aspect of our roadmap aimed at boosting artists’ livelihoods, safeguarding and promoting Sri Lankan arts and culture, and catalysing social cohesion and wellbeing through artistic and creative expression. We are excited about the potential of these endeavours in contributing to the growth of creative economies.”

Swarna Abeytunge, an artist who showcased her work at Kala Pola 2024 said, ‘Hats off to the organisers of Kala Pola for organising this event very methodically without any chaos! This is the only platform in Sri Lanka which gives the equal opportunity to all the artists without any discrimination. This was my first time at Kala Pola as an artist and I am glad that it ended successfully.”

The Children’s Art Corner, managed by Elephant House and conducted under the guidance of teachers from the Cora Abraham Art School, saw the participation of 165 children throughout the day and concluded with a workshop guiding children to create crafts with recycled materials. The Children’s Art Corner was graced by the Indian High Commissioner who together with the Chairpersons of the John Keells Group and George Keyt Foundation distributed gift bags and certificates to participants.

Kala Pola 2024 also featured two compelling talks: one on what contemporary art is by Dr. Priyantha Udagedera and moderated by Kasun Jayamanne, and another providing valuable insights on building an art collection by Malaka Talwatte, moderated by Nadija Tambiah, both drawing encouraging audiences.

The evening we concluded with a vibrant showcase of Sri Lankan performing arts including dance, drumming, and folk singing in a carnival-like atmosphere.

Kala Pola 2024 was supported by 123 volunteers from the John Keells Group.

The street fair continues to be complemented by https://www.srilankanartgallery.com, the digital platform hosted by the John Keells Foundation to showcase Sri Lanka’s visual artists throughout the year.

Art & Culture are one of the six focus areas of the John Keells Foundation – the CSR entity of John Keells Holdings PLC (JKH), Sri Lanka’s largest conglomerate listed on the Colombo Stock Exchange operating over 70 companies in 7 diverse industry sectors. With a history of over 150 years, the John Keells Group provides employment to over 14,000 persons and has been ranked as Sri Lanka’s ‘Most Respected Entity’ for the last 18 Years by LMD magazine. JKH has placed first for the fourth consecutive year in the ‘Transparency in Corporate Reporting Assessment’ by Transparency International Sri Lanka. Whilst being a full member of the World Economic Forum and a participant of the UN Global Compact, JKH drives its CSR vision of “Empowering the Nation for Tomorrow” through the John Keells Foundation and through the social entrepreneurship initiative, ‘Plasticcycle’, which is a catalyst in significantly reducing plastic pollution in Sri Lanka.

 


 


March 14, 2024
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3min

The Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka) has an exciting lineup of public programmes for March 2024, inviting visitors to engage with art and culture in unique and immersive ways. From curated tours to workshops and discussions, there is something for everyone to enjoy.

Explore our current exhibition ‘88 Acres: The Watapuluwa Housing Scheme by Minnette De Silva’ in Tamil on 16 March, Saturday from 11 am–12 pm. It is the perfect chance for you to dive deep into the Watapuluwa Housing Scheme by Minnette De Silva, with the help of one of our Visitor Educators. Right after that, from 3–6 pm, we are calling all shutterbugs for a Photography Workshop with Ruwan Meegammana! Learn the art of photographing architecture with Ruwan, and don’t forget to bring your mobile phone or tablet to snap some awesome shots of Galle Face Green and its neighbourhoods.

 


 

Experience ‘88 Acres’ more deeply on a Curated Tour with our Chief Curator Sharmini Pereira on 17 March, Sunday from 11 am–12 pm. Discover fascinating narratives behind the exhibition and its research, and listen to Sharmini share her insights into the showcased pieces.

On 22 March, Friday from 6 pm–7 pm we are curating a one-of-a-kind, Sinhala language Gallery Talk titled ‘Dissecting Documentary’. Join filmmaker and critic Boopathy Nalin in conversation with artist and architect Sumudu Athukorala as they delve into the evolution of documentary filmmaking in Sri Lanka. The Talk will also include an analysis of ‘is this an architectural documentary?’ (2023), currently on view at the Museum.

Don’t miss the opportunity to join artists Irushi Tennekoon, Sumedha Kelegama, and Sumudu Athukorala for a guided tour of ‘88 Acres’ on 23 March, Saturday from 3 pm–5 pm. Explore the exhibition and gain unique insights from the creators of the specially commissioned film ‘is this an architectural documentary?’ (2023).

All events are free, so come and soak up the art vibes with us! For more information and updates, please visit the MMCA Sri Lanka website at www.mmca-srilanka.org or follow us on Facebook (facebook.com/mmcasrilanka) and Instagram (instagram.com/mmcasrilanka).

 


 


February 20, 2024
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4min

Kala Pola, Sri Lanka’s Annual Open-Air Art Fair, was held on 18th February 2024, marking 31 years since its inception. Conceptualised by the George Keyt Foundation in 1993, the event has, since 1994, been held with the continued patronage and implementation support of the John Keells Group.
Kala Pola provides the country’s largest platform for visual artists to connect with buyers and the art community, providing both a marketplace and a space for knowledge transfer and collaboration, furthering the creative economy of the nation.
This year’s event showcased the works of over 350 local artists hailing from the different provinces of Sri Lanka.His Excellency Santosh Jha, Indian High Commissioner to Sri Lanka, graced the official ceremony of the event as the Chief Guest.

 




 

  • Kala Pola, Sri Lanka’s annual open-air art fair, marks its 31st anniversary on 18th February 2024, celebrating over three decades of fostering the livelihoods of Sri Lankan visual artists.
  • Kala Pola takes inspiration from the world-famous outdoor art fairs in Montmartre, Paris, and the Turl Street Art Festival in Oxford and has evolved as an eagerly awaited event of the art and culture calendar of Sri Lanka.
  • This uncurated visual art fair aims to consistently elevate the visitor experience, expanding its reach to include more artists and attract a broader audience of both local and international art enthusiasts, consequently generating increased participation and income for the artists, not only through sales at the event but also through potential commissions thereafter.
  • The event’s success also stems from its networking and learning opportunities, with Kala Pola being an event at which artists from different levels of seniority and provinces of Sri Lanka converge, fostering an environment of collaboration.

  • The John Keells Group has funded and co-organised the event over the past three decades which has enabled Kala Pola to sustain and evolve. Kala Pola is now a major tourist attraction having established itself as one of Colombo’s iconic art events. The Sri Lankan Art Gallery – a digital art gallery hosted by John Keells Foundation free of charge to artists – provides a year-round platform for visual artists to showcase their work and engage with buyers.
  • The John Keells Group also strives to showcase and promote the economic potential of the country’s creative economy while supporting the development of an ecosystem that nurtures creativity.

 




 


February 7, 2024
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7min

The Museum of Modern and Contemporary Art Sri Lanka (MMCA Sri Lanka) is pleased to announce its upcoming publication ‘Second Volume’ conceived to accompany their current exhibition ‘88 Acres: The Watapuluwa Housing Scheme by Minnette De Silva’. The exhibition focuses on the groundbreaking social housing project that was designed with the active participation of its users, heralding a new era in affordable accommodation for a diverse ethno-religious community of government public servants in Sri Lanka.

 



 

Published by the MMCA Sri Lanka, ‘Second Volume’ is the museum’s first research publication and is supported by the World Monuments Fund, British Council, Art South Asia Project, and Vitra Design Foundation. ‘Second Volume’ will be launched on 10 February 2024 at the MMCA Sri Lanka, located on the ground floor of Crescat Boulevard, Colombo 3. Copies of ‘Second Volume’ will be available for pre-order on 1 February 2024, followed by the launch on 10 February at the MMCA Sri Lanka. To pre-order or purchase the publication, please visit the museum’s Facebook page at facebook.com/mmcasrilanka or Instagram page at instagram.com/mmcasrilanka/. All proceeds from the sale of ‘Second Volume’ go towards supporting the MMCA Sri Lanka’s trilingual education and public programmes for the ‘88 Acres’ exhibition.

Speaking about the launch of ‘Second Volume’, Sharmini Pereira, Chief Curator, MMCA Sri Lanka and Editor of ‘Second Volume’ said that, “Minnette De Silva is considered the first woman architect in Sri Lanka, and was a pioneering modern architect. Her work deserves to be looked at in much closer detail, which is why we have compiled our research, to date, in a book format so that it can be shared more widely.” Speaking of their support towards the publication, John Darlington, Director of Projects at World Monuments Fund said that, “Minnette De Silva deserves international recognition. Her legacy of buildings and her approach to architecture have a real resonance today. Minnette’s ideas on consultation, her use of local materials, craftspeople and artists, and her mission to root architecture in place are themes which are increasingly relevant well beyond her native Sri Lanka.” He added that, “World Monuments Fund is delighted to support the MMCA Sri Lanka in the publication of ‘Second Volume’. More people should hear about Minnette, and this publication will help spread the word – ensuring her legacy lives on.”

‘Second Volume’ brings together primary research and previously unpublished archival materials, including a transcript of the animated documentary ‘is this an architectural documentary?’ (2023) by contemporary artists Irushi Tennekoon, Sumedha Kelegama, and Sumudu Athukorala. It also includes a specially commissioned essay by Pereira, along with measured drawings of De Silva’s five house typologies for the Watapuluwa Housing Scheme by architects Kelegama and Athukorala. ‘Second Volume’ also contains a special supplement of De Silva’s seminal essay ‘Experiments in Modern Regional Architecture in Ceylon 1950 to 1960’ (1965–1966), first published by the Ceylon Institute of Architects in 1966.

Orlando Edwards, Country Director, British Council Sri Lanka said that, “We are very pleased to support ‘Second Volume’, the MMCA Sri Lanka’s first research publication accompanying the current ‘88 Acres’ exhibition. The work of Minnette De Silva was ahead of its time, and she has inspired and influenced generations of architects.” He added that, “We hope that this publication will inform and encourage the next generation of Sri Lankan architects to continue in the tradition of responsible, considered, and sympathetic design. This publication invites architects, art enthusiasts, scholars, and the public to celebrate the enduring legacy of one of Sri Lanka’s architects.”

‘Second Volume’ continues the archival process begun by De Silva with her posthumously published autobiography ‘The Life and Work of an Asian Woman Architect Vol. 1’ (1998). Similar in size, this publication, by contrast, focuses on a single project – The Watapuluwa Housing Scheme, opening up the prospect of future ‘volumes’ that would in turn look at her seminal practice one project at a time. ‘Second Volume’ is printed on locally available paper stock without any paper wastage highlighting the vital importance De Silva placed on using local materials, nearly 70 years ahead of her time.

Nour Aslam, Executive Director of Art South Asia Project (ASAP) said that, “Art South Asia Project is proud to have partially funded the publication ‘Second Volume’. Not only is MMCA Sri Lanka the first Sri Lankan grant partner for ASAP, but this is also the first museum publication we have supported. For us, literature and publications are key factors in contributing to the field of modern and contemporary South Asian art.” She further said that, “We are very fortunate to have received this project from the wonderful team at the MMCA Sri Lanka, especially under the vision of Sharmini Pereira, who has been pivotal in the field to further voice the Sri Lankan art historical narrative.”

‘Second Volume’ has been designed by Bangalore-based Nia Thandapani, and printed in Sri Lanka. The book has been edited by Pereira, and assisted by Kaumadi Jayaweera, Editorial Assistant at the MMCA Sri Lanka.

The MMCA Sri Lanka is an education-led initiative that aims to establish a public museum dedicated to the display, research, collection, and conservation of modern and contemporary art for the benefit and enjoyment of the general public, schools, and tourists. The museum is open daily from 10 am to 6 pm (except on Poya days and public holidays) on the ground floor of Crescat Boulevard, Colombo 3, and the entrance to the museum and all its public programmes are free.


February 2, 2024
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4min

The eagerly anticipated HSBC Ceylon Literary & Art Festival is set to captivate young minds from February 10th to 12th, as it unveils a vibrant spectrum of stories, music, and art tailored for children. Geared for ages 6-14, the festival provides a dynamic platform to nurture and unleash the creative talents of the youth, celebrating the uniqueness inherent in each endeavor. From whimsical dreams to thought-provoking discussions, participants will be encouraged to draw inspiration from the world around them, with a focus on written and oral narrations, poetry, art, and musical expression

 


 

Curated by renowned children’s authors, Artika Aurora Bakshi and Prof. Neluka Silva, the children’s festival promises an enriching experience. Creative writing workshops, led by Artika and Neluka, will empower young minds, while Farah Ibrahim of The Art Studio will infuse a splash of color through arts & crafts workshops, highlighting line drawing and block printing. Roshie Wickramaratne of Music Makers fame will guide participants in the musical workshops, vocalizing and creating melodies. An exciting workshop with Chiara Armellini with imaginary fruits using arts and crafts is set to excite the young creative minds.

The Colombo Public Library will serve as the vibrant venue, meticulously prepared with limited seats available. Interested participants can register and secure passes on www.ceylonliteraryfestival.com.

In conjunction with the festival, the organisers will proudly unveil the anticipated launch of a Future Literary & Creative Platform in partnership with Dilmah Ceylon Tea during the festival. The platform curated as a youth outreach program is designed to develop future literary and creative personalities.

The inaugural HSBC Ceylon Literary & Arts Festival is scheduled to unfold in the picturesque city of Kandy on February 8th, followed by a vibrant continuation in Colombo on February 10th. Both cities, renowned for their rich heritage and cultural vibrancy, will serve as the perfect hosts for this literary and artistic celebration.

The main partners promoting this creative platform to showcase and make it one of the leading platforms is the title partner HSBC along with our other partners Mastercard, The British Council, Galle Face Hotel, Hotel Suisse Kandy, Dilmah Ceylon, Innovate Books, Goethe Institut, Wijeya Newspapers, Emerging Media, Curado, Hardtalk, Sarasavi, Zelus and Acorn. Together, these partnerships embody a shared vision of celebrating and nurturing culture and creativity in Sri Lanka.


February 2, 2024
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4min

Kala Pola, Sri Lanka’s annual open-air art fair, is set to mark its 31st anniversary on 18th February 2024. Celebrating over three decades of fostering the livelihoods of Sri Lankan artists, Kala Pola takes inspiration from the world-famous outdoor art fairs in Montmartre, Paris, and the Turl Street Art Festival in Oxford and has evolved as an eagerly awaited event of the art and culture calendar of Sri Lanka.

 


 

The George Keyt Foundation (GKF) conceptualised and launched Kala Pola in 1993, and since 1994 it has enjoyed the sustained patronage of the John Keells Group, as part of its corporate social responsibility. This uncurated visual art fair aims to consistently elevate the visitor experience, expanding its reach to include more artists and attract a broader audience of both local and international art enthusiasts, consequently generating increased participation and income for the artists. The event’s success also stems from its networking and learning opportunities, with Kala Pola being an event at which artists from different levels of seniority and regions of Sri Lanka converge, fostering an environment of collaboration.

Malaka Talwatte, the Chairperson of the George Keyt Foundation stated, “The GKF’s core objective has always been to catalyse ‘Opportunity for Art’, particularly for local artists, and Kala Pola is a flagship endeavour in this respect. We are grateful to the John Keells Group for their continued partnership over the past three decades which has enabled Kala Pola to sustain and evolve. Kala Pola is now a major tourist attraction having established itself as one of Colombo’s iconic events.”

Nadija Tambiah, President Legal, Secretarial, and Corporate Social Responsibility at John Keells Group, emphasised, “Over its three-decade journey, Kala Pola has steadfastly provided an uncurated, dynamic platform for Sri Lankan artists, forming an integral part of John Keells Group’s commitment to fostering Sri Lanka’s Arts & Culture. The Group also strives to highlight the economic potential of the country’s creative economy while supporting the development of an ecosystem that nurtures creativity. We also hope that by providing platforms for storytelling and expression we can contribute towards a shared understanding of our nation’s history and thereby enhance our social cohesion.”

Arts & Culture is one of the six focus areas of John Keells Foundation – the CSR entity of John Keells Holdings PLC (JKH), the largest conglomerate listed on the Colombo Stock Exchange, operating with over 70 companies in 7 diverse industry sectors. With a history of over 150 years, the John Keells Group provides employment to over 14,000 persons and has been ranked as Sri Lanka’s ‘Most Respected Entity’ for the last 18 Years by LMD magazine. John Keells Holdings PLC was ranked first for the third consecutive year in the ‘Transparency in Corporate Reporting Assessment’ by Transparency International Sri Lanka. Whilst being a full member of the World Economic Forum and a participant of the UN Global Compact, JKH drives its CSR vision of “Empowering the Nation for Tomorrow” through John Keells Foundation and through the social entrepreneurship initiative, ‘Plasticcycle’, which is a catalyst in significantly reducing plastic pollution in Sri Lanka.

 



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